The Tail End of the Mystery of Harry Chadwick

“Genealogy is like any other -ology.  Best left to the scientists.”

– Keith Chadwick

The second episode of HBO’s Family Tree, which aired last night, picks right up with Tom showing his father the strange photograph of Harry Chadwick.  Great-grandfather is compared to a photograph of his son and to his living grandson and great-grandson — and not a drop of “Chinese-ity,” as Tom’s father calls it, to be detected in any.  Eventually the inscription on the back of the photograph is deciphered as “To the best Nanki-Poo in Hove,” which confirms that unsurprisingly, Harry was not Chinese, but an actor who once played a Japanese role. (Anyone who looked at Harry’s photograph could see that clearly, right?)
HBO's Family Tree | Harry ChadwickOff to Hove Tom goes, accompanied yet again by his faithful, but idiotic friend Pete.  An elderly former neighbor of Harry’s directs them to the local theater, where it is revealed to Tom by degrees that the fame his great-grandfather achieved on the stage was actually for playing… the tail end of a pantomime horse.  Lucky Tom is shown an old photograph and video footage (!) of his great-grandfather performing.  He leaves with his great-grandfather’s costume and a new bit of information:  Harry’s wife had an affair with Sid, the fellow who played the front-end of the horse.  The affair broke up the partnership, and after Harry died, his wife and former partner married and left town together.  The news hits Tom hard, as he also feels cuckolded by his former girlfriend.

Like so many of us, Tom wishes to pay homage to his great-grandfather.  He & Pete enter the annual costume horse derby, which Harry & Sid often won.  Needless to say, they do not continue the family tradition.  But it’s sweet that Tom cared so much.

After a creepy blind date (about which the less said the better), the episode concludes with a poignant scene in a cemetery — Tom reflecting on the sad end to Harry’s life — while the camera lingers on the backend of a horse engraved on Harry’s tombstone.  This was the part of the episode where I started yelling at the screen — this time for Tom to look at the names on the surrounding tombstones.  He notes only two, Harry’s parents, and wonders why their birth dates are not indicated on their tombstones.  Perhaps this mystery will occupy Tom next.

***

HBO's Family Tree | TraceMyPast.net

Family Tree’s fake genealogy site, TraceMyPast.net, showing Harry Chadwick’s death certificate

I’m beginning to see how this show operates.  The nature of genealogical research brings Tom into contact with new weirdos in new comedic settings every episode, perfect for Christopher Guest’s style of short vignettes with a wide range of actors.  Unfortunately like many viewers I’m just not finding it all that funny so far.

It’s also a little predictable, and I don’t think that’s just because I do genealogy and recognize all the old canards.  But I’ll keep watching.  The moments were Tom feels truly struck by the emotion of walking in Harry’s footsteps certainly feel genuine, unlike the absurd situations he keep walking into.  Though it can’t help that Tom is, well, such a loser, whose own family thinks his hobby is just a passing phase to fill the void in his life, these moments, plus the general fun and easy (too easy!) satisfaction of Tom’s genealogical journey, certainly present our obsession well to a new audience.

Genealogy: The Sitcom?

At NGS last week Dick Eastman and I had a discussion — was HBO’s Family Tree actually about genealogy?  He pointed out that the trailer follows the main character as he tracks down living relatives… which wasn’t quite what I was hoping the show would be about.  Well, who knows how the series will play out, but the first episode will feel awfully familiar to family historians.

Our budding genealogist is Tom Chadwick, recently bereft of girlfriend, job, and now great-aunt.  The latter’s passing puts him in possession of an old chest, inside of which he finds a photograph of a man in turn of the century military garb.  All his father can tell him is that he is Tom’s great-grandfather, who was some sort of military hero.  Eventually Tom finds his way to a fictional Maureen Taylor, who in true genealogical fashion clears up the mystery of the photograph, but leads Tom into an even bigger one.

HBO Family Tree:  Harry Chadwick

Tom:  He’s a Chinese man?
Neville:  Yes, hence his name. Harry Chadwick.

<spoiler>
The field marshall in the photograph is not Tom’s ancestor… but Prince George, the Duke of Cambridge!  Typical mistake!  It turns out that Tom’s great-grandfather took the photograph, and a picture of this great-grandfather shows him to be… Chinese?!
</spoiler>

There’s much in the pilot episode that rings true for genealogy buffs, from the old photograph you can’t stop wondering about, to the desire to see in yourself the best characteristics your ancestors embodied.  Alas, the genealogy on the show is presented in true WDYTYA style, where key records just happen to be at the fingertips of the researcher, and breakthroughs happen in seconds, but it is recognizably genealogical research.  (As an aside:  Was anyone else yelling at Tom to take the photograph out of the frame to read the back?)

However, there’s much that does not ring true at all.  For one, Tom’s best friend accompanies him on a long train ride to visit the photographic expert, but when have you ever convinced a non-genealogically-inclined friend to accompany you on any genealogical excursions?!  Furthermore, Tom’s blind date seems to take great interest in Tom’s genealogical quest, but I can tell you from extensive personal experience that this is not what happens in real life.

Overall the show seems promising, if you don’t mind dry British comedy or the extreme eccentricities of Christopher Guest characters.  I can’t yet say I’m invested in Tom or his living family, but the mystery of Harry Chadwick I’m curious to see unfold.  And if nothing else, I wouldn’t mind catching another glimpse of the show-within-a-show of The Plantagenets!

Towards a More Helpful Storybuilder

Treelines at APPO

Treelines table at APPO!

Hard to believe it’s been only a month since our big launch at RootsTech!  Last time we wrote, we had just arrived in Chicago to present Treelines at the national conference of the Association of Professional Photo Organizers.  It was such fun introducing Treelines to this wonderful group, who help other families organize and preserve their own history.

Since returning from APPO we’ve made lots of tweaks to the Treelines storybuilder to make it even easier and more fun to use.  We wanted to draw your attention to one of the bigger ones:  contextual help overlays!

tutorial_momentWhen you use the storybuilder for the first time, overlays like the one above will appears as you encounter different areas of the storybuilder for the first time.  We hope this will make it easier for new users to get the hang of things.  To be unobtrusive, each overlay only appquestion_markears the first time you encounter something new, but everywhere you see a purple box with a question mark like the one at the left, you can bring back the help tips.

Of course, we have a whole help center at your disposal, with tutorials and FAQs, but we think this way is so much easier and faster when you’re already immersed in writing.

No idea what we’re talking about?  Haven’t yet given Treelines a shot?  Sign up for our waiting list to join Treelines today!

It Has All That Jazz

Greetings from Chicago! “My kind of town, Chicago is / My kind of razzmatazz / And it has all that jazz” (sang Frank Sinatra).  We’re here for the national conference of the Association of Professional Photo Organizers, which starts this evening.  The APPO folks we’ve met so far are amazing, dedicated, high-energy people, and we can’t wait to show everyone here how Treelines can help their clients tie together their family photographs with the stories that truly bring them to life.

As one of our new users wrote to us earlier this week:

“The strength of Treelines is that I can share family history, legend, or stories with relatives in a meaningful way without bogging them down in too many names, dates, and places.  This brings life to stories, and piques the interest of family members who may not otherwise be interested.”

– Treelines user bettinger, author of A Civil War Hero, A Father, An Ancestor

Clearly Treelines, like Chicago itself, already has all that jazz :-) , but we’ve added even more razzmatazz this week.  Many of you asked for additional ways to navigate through stories to jump forwards or backwards more easily.  Now if you use the small arrow next to the page numbers, you can bring up a list of all the pages in the story to skip to a different part of the story:

Storyviewer dropdown

Screenshot of the alternate navigation (click to view full-size).

Enjoy!

And if you haven’t signed up for our waiting list yet, what are you waiting for?  We’re letting in new users every day, so claim your place in line!

Happy April Product and Press Updates

Well, it’s been just over a week since we started letting users into our beta, and between the feedback we got at RootsTech and now what our beta users are telling us, we have a great sense of what you like about Treelines and what you’d like to see improved.  Many of you were loud-and-clear about wanting to work on your family tree apart from writing stories.  So, we’ve given you what you asked for:  a full Tree Browser on your My Stories page!

  • Click on your username in the top-right of the homepage
  • Scroll down and behold:  your trees!
My Trees

You can browse and search your tree here, as well as update the information you’ve recorded for people in your tree. We’ve also added yellow flags with the number of stories you’ve written about each person. Click on the flag to see the list of stories!

We at Treelines strive for constant improvement of our site, so this update is the first of many we’ll share with you about new features we’ve added to the site.  We have some really big things in store for next month, but you’ll keep seeing small improvements along the way.

We’ve gotten a bit more press in the past week as well!

Treelines on the radio

  • And most exciting of all… this morning Marcus Smith interviewed Tammy on BYU Radio!  We compared notes on the ancestors who first got us interested — for him, Jerusha Lord, and for me, Bernhardt Hepps (such names!) — and went on to discuss why family history can be so personally affecting and how Treelines’ story-centric approach makes it easier to bring those to transformational moments to our families and esp. the younger generation.

If you missed Tammy’s interview, make sure you follow us on Facebook or Twitter for our most up-to-date information so you don’t miss the next one!  :-)

The Holiday of Storytelling

HaggadahThe central tradition of Passover, which starts tonight, is for families to gather together for a festive meal called a Seder (“Order”) and read about the Exodus from Egypt from a book called the Haggadah (“Telling”).  First compiled in the 1st and 2nd centuries C.E., at a high level the Haggadah is a fifteen-step manual for conducting a Seder.  Some of the sections involve food rituals, others prayer, but the longest recounts the story of the Exodus from Egypt and the meaning of the miracles that took place.

The Haggadah takes an interesting narrative approach.  First of all, it is a highly personalized account.

We were slaves to Pharoah in Egypt, and the Lord our God brought us out of there with a strong hand and an outstretched arm.  And if the Holy One, Blessed be He, had not taken our fathers out of Egypt, then we and our children, and the children of our children would still be enslaved to Pharoah in Egypt.

This introduction sets the tone for all that is to come:  we’re not supposed to just sit around reading old Bible stories.  We’re meant to see the protagonists as more than just our fathers, but as ourselves!  “An Aramean ensalved my father,” “we cried out to the Lord, God of our fathers,” “the Lord heard our voices,” “the Lord lifted us out of Egypt” — at every opportunity the Haggadah uses the first person plural to bring us into the story.  These things didn’t happen to them, the Children of Israel — they happened to us!  Towards the end of this section my favorite part of the whole Haggadah makes this point clear:

In every generation a person is obligated to see himself as though he had gone out from Egypt… It was not only our fathers alone whom the Holy One, Blessed be He, delivered, but also we were delivered with them.

You can only imagine how this worked on my mind as an ancestor-obsessed child…

And involving the children amongst the Seder participants is the other key narrative distinction of the Haggadah.  The early parts of the Seder include a lot of unusual rituals designed to pique their curiosity, culminating with the youngest child present asking, “Why is this night different from all other nights?” and the famous Four Questions about those odd rituals.  These scripted questions are meant to set the tone for children to ask unscripted questions throughout the rest of the Seder.  As the Haggadah explains, the more we discuss the Exodus from Egypt, the more praiseworthy we are — and this extends to children as well.

Children are again explicitly involved during the section about the Four Sons: the wise one, the wicked one, the simple one, and the one who doesn’t know how to ask.  Children are meant to emulate the wise one, who asks for all the details about the holiday, and not the wicked one, who asks, “What does this worship mean to you?”  But parents are responsible for all of them, and the Haggadah provides answers for each, including rebuking the wicked one for divorcing himself from his own history.  All of those “we,” “us”, “our” pronouns throughout the Haggadah only work if parents raise their children to know and value their background.

Whatever your family’s background, there is much to learn from this ancient text when it comes to passing down family history — how to interest our children in remote events, encourage them to ask questions, take the time to answer them in detail, and most of all, personalize the history so it has significance for them. The Haggadah urges us to make this conversation ongoing, but Passover ensures that at least once every year all the generations come together to ask questions and share answers about how we came to be who we are.  Knowledge of family history is meaningless without doing the work to pass it on in a meaningful way.

Happy Passover to those who celebrate!

Launch Week!

Demo theater

Tammy shows off Treelines in the RootsTech Demo Theater.

What an amazing week it’s been!  Treelines has now officially launched, and though the site is invite-only right now, our first users are starting to write and share amazing family stories we’re having so much fun reading!  If you’re not on our waiting list, please go here to give us your email address.  And if you already are, please be patient –  your turn will come soon, promise!

The week began with a great profile of Tammy by Joanne Wilson, founder of the Women Entrepreneur’s Festival.  Energized by this awesome article, we were off the next day to Salt Lake City to launch at RootsTech!  And what an exhilarating launch it was!

Development Challenge Winner!

The moment during Friday’s keynote when Treelines was announced as the winner!

Friday morning we learned that Treelines won first place in the RootsTech Developer Challenge, and from there things got crazy!  Our booth was inundated for the next two days with people wanting to find out more about our now award-winning storytelling platform, and Tammy did a number of interviews with people looking to learn more about Treelines and her own journey in genealogy.

So far the feedback has been quite positive!  Here are some of the highlights:

It was wonderful meeting so many of you in person and hearing how Treelines’ storytelling platform is the tool you’ve been looking for all along.  We look forward to having all of you as part of our growing community of family storytellers.

Treelines at RootsTech!

Come meet us!Since last year we’ve been building a family storytelling platform that is going to rock the genealogy world.  We’re so excited to unveil it at RootsTech next week — not only to get your feedback after you start using it, but also to read the family stories you share!  We’ve already gotten some early validation — Treelines is a finalist for the RootsTech Developer Challenge!  As a result, we’ll be demo’ing Treelines Friday afternoon as part of the finalist showcase.

But that’s only one of the times we’ll be presenting.  Here’s our full schedule:

When we’re not speaking, you can meet us in Booth 236.  Come by to sign yourself up for early access to the site and get a personal introduction the groundbreaking family storytelling platform that awaits you.  In just a week you’ll be able to write and share family stories your relatives actually want to read.  Get excited!

Jobs My Family Has Performed in New York City

One of the great surprises of my genealogy research is that it turns out I am not the first person in my family to live in New York City.  You might say that I should not have been so surprised, but I began with decent proof that all of my great-grandparents were in Pennsylvania going back about a century.  And so they were.  But go back just a smidge before that, and half of them began their American lives in NYC!  One was even born here, and a number of their parents never left.  But after 1922 when the last gggp died, everyone from my direct line was gone and would be for the rest of the century.

Peddlers on the Lower East SideSelect jobs my family has performed in New York City:

  • glazier
  • peddler
  • dealer in milk, eggs, and “butter”
  • tailor
  • bookbinder
  • driver
  • clerk
  • milliner
  • traveler in the theatrical industry
  • mailer at a magazine place
  • founder of an Internet start-up

Yes, this post is the official announcement of Treelines’ upcoming launch at RootsTech 2013, March 21-23!  You can meet me and learn all about Treelines in Booth 236.  I’ll also be speaking a few times, which I will update you about later this month.

But we are launching!  We are launching!  We are launching!  And very, very soon!!!!!!

If you’re not already on our waiting list to be one of our first users, please click here to add yourself to the list right now!

Personal History is Family History: A Mother’s Perspective

I asked my sister, who has no interest in the kind of distant family history I’ve devoted my life to digging up, to tell us what kind of family history she cares about.  Here’s what she wrote:

My sister and her older daughter turn 4

My sister and her older daughter turn 4!

When I was growing up, my mother attempted to collect all of the artifacts of our childhood into beautifully arranged scrapbooks.  Over time the demands of the task got away her from her, and she started sliding mementos haphazardly between the pages for organization at a future date that never came.  Eventually the books so teemed with keepsakes that she had to put them into bags to hold everything together.  The results my sister and I half-bitterly, half-affectionately dubbed our “scrap bags.”

From then on when I imagined myself as a mother, I envisioned creating the kind of scrapbook that my mother abandoned.  No milestone of my modern-day von Trapps would pass without pasting the proper documentation into an artistic page layout.  Then, I actually became a mother, and realized that (1) my children will never wear matching dresses made from our window treatments, line up in declining size-order, and greet me musically after work, and (2) scrapbooks are easier to imagine than execute.  So my girls, ages 2 and 4, currently have… “scrap accordion-folders!”  Thanks to the Digital Age in which they’re growing up, their “scrap folders” are regrettably thin, but I still imagine that one day I will arrange these scraps into beautifully bound books they will always appreciate their mommy for having made.

For me, these scrap bags and scrap folders are what family history is about.  What I want my daughters to know about their history is the same thing I want to know about my history—How did the narrative begin?  What were the plot twists? My sensitive 4-year-old may grow up to be a famous artist.  I want her to know that she drew her first recognizable stick figure before she turned 3.  My active 2-year-old may grow up to be a star athlete.  I want her to know that mommy was so worried that she did not walk at 16 months, she called Early Intervention (hopefully she will laugh, as I now do).  These memories, whether they hold a lasting significance or not, create a life story.

On some level, however, I realize that these narcissistic self-portraits do not tell the whole story.  My daughters’ lives did not simply begin at “The Presidents’ Hospital” in Bethesda; they began at the comedy club down the road where their parents went on their first date, they began at the hospital in Philadelphia where I was born and would later rotate as a medical student, they began decades before when their first American ancestors set foot in Philadelphia and Baltimore.

But, the further back you go, the less I am interested in being the one who does the curating.  Genealogy has never been a personal interest of mine.  What my sister and I do share, though, is an interest in origin stories.  We’re just interested in different origins!  I studied cognitive neuroscience and early childhood development, so I’ve always been interested in those early formative experiences that define a character and ultimately shape a life.  I’ve often pored over the contents of my scrap bag to understand how I became me, and I similarly peruse my girls’ scrap folders to catch the emerging threads of narrative for the people they will become.

So, maybe my girls, like me, will turn to their scrap folders for answers about why they are who they are.  Or maybe they’ll turn out like their Tante Tammy and ask questions about the things that happened before they were born.  Now that I have children of my own, I realize that there is a spectrum of family history of which the contents of a “scrap bag” or “scrap folder” are only the beginning.  It takes the whole range of family history — the immediate and distant past — to put our lives in context.  Luckily between their mommy and their tante, my girls will have both covered!