Now it’s your turn! However you caught the bug, we at Treelines want to hear the story. Take a break from telling the stories of your ancestors and tell us about yourself and how you started on this amazing genealogical journey!
Maureen might examine your mystery photographs!
Share your story publicly on the Treelines site through July 19 July 21
Three winners will each win personal consultations with Maureen! Maureen believes every photo tells a story. She’s discovered how a single photo can unlock a family mystery, break down a research brick wall, or reveal a lost family story. Now’s your chance to find out more about your photos!
If you’re new to Treelines, you should read our basic user guide and our family tree guide to get familiar with all the different capabilities of the tool. Make sure your story incorporates lots of pictures and is accompanied by great Treelines with the relevant people and dates from your family tree.
Write your story using the Treelines storybuilder. One way to launch the storybuilder is to click the green “Enter now” button on the “Getting Started Stories” page.
When you publish the story, mark it as public and select the “Getting Started Stories” contest as shown below:
A nine year-old girl loses a beloved aunt, but at the burial she catches sight of a name…
Almost thirty years later, Taneya Koonce is now an accomplished genealogist, with a particular focus on technology and historical newspapers befitting her professional expertise in information management and organization. She blogs actively and volunteers extensively with the USGenWeb Project.
Taneya joined Treelines right after we won at RootsTech, and she wrote her first story the evening her invitation came. “It was so very cool!” she wrote. “At first, when I was faced with the task of writing a story I didn’t know what I would say. I do not consider myself a storyteller at all. But, I kept on and actually am quite proud of myself.” And we’re proud that it was Treelines’ storybuilder that changed her mind! 🙂 We admire that in both of her stories, she used small details — the names of her ancestors — as the jumping-off point to ask deeper questions.
Adorable Taneya with her aunt
You were just 9 when you had your “first genealogy moment.” What kinds of genealogy did you do when you were growing up?
Growing up, I actually did not do very many genealogy activities. Besides having a general interest in those that came before me, I didn’t seek out genealogy. Then, when I was in college, one summer (circa 1995) I decided I was going to interview both of my grandmothers to learn more about our families and their background. I don’t actually remember what prompted me to do it, but I am extremely glad that I did. By the time I decided to actively pursue genealogy as a full-time hobby in 2005, both of my grandmothers were ill, suffering from Alzheimer’s. Those days I’d spent with them 10 years earlier to record their stories made a huge difference.
As an adult you’ve become involved in just about every area of genealogy — technology, DNA, records, and lots of volunteering and writing and speaking. (Wow!) What inspired you to elevate genealogy from a childhood interest to your major hobby as an adult?
My inspiration to become super-involved in genealogy was quite gradual, but in so many ways, my genealogy interests overlap with my experiences and interests outside of genealogy. I am naturally interested in technology, was a biology major in college, and was always interested in genetics, and I have professional experience in writing and presenting. One reason genealogy has been such a perfect hobby for me is that it has allowed me to apply skills and interests I’ve already gained.
My extensive volunteer efforts with the USGenWeb came about because of the benefits I’d reaped from those who shared information on the USGenWeb sites before me, and so I had to “pay it forward,” and I’ve tremendously enjoyed helping others in their genealogy and family history searching.
One of the things I love about your stories is how you’ve gotten inspired by small details, even just the names of ancestors! Any advice for other genealogists to similarly turn small clues into larger family insights, as you have?
I personally find those small clues to be great places to start, and it’s interesting how they will lead you from place to place. In my volunteer work for the USGenWeb, I see so many people inquire with extremely broad questions on how to research their families, and my advice to them is always to start small; identify one or two things that you want to know about and then follow the clues out.
Perhaps it is also my professional training – as a librarian, we very early on learn theoretical models that apply to searching for information, and one I early on identified with was “pearl growing.” Pearl growing search strategies begin with a specific known fact/item, and you successively build on it. So, my advice for others is to think about those “pearls” you have in your family history and search for information that can help you “cultivate” them.
You’ve been a geneablogger for some time, sharing your family stories and research on your own blog. What made you want to share your stories on Treelines as well?
I started looking into Treelines after learning that you’d won the RootsTech 2013 Developer Award. Being as technically-inclined as I am, I love to play around with tools, so I signed up for an account. I read some of the other stories on the site and decided to play around with my own story. After going through that process, I definitely wanted to continue and do more. What I appreciate about the Treelines structure is the ability to present the story in a very visually appealing format and the segmentation into smaller “chunks” of information, combined with the photo integration and connection to family tree data.
Abraham Lincoln MacNair, Taneya’s great-grandfather
You wrote to us that you don’t consider yourself to be a storyteller, but you’ve shared two great stories already! How did you overcome your reluctance?
It has really been the design interface of Treelines that has helped me overcome my reluctance. The format of the site makes it easy to create and share stories. After I did my first story, I recalled so many tidbits that I’ve learned from my mother over the years about her family, and now I want to focus on working with her to capture them into Treelines stories. We all have these “tidbits” that we can use and enhance them on Treelines. I am particularly looking forward to starting to share my Treelines stories with family members – it’s just so much more interesting visually than what they would get from my blog posts, so I believe it makes a great counterpart.
“Family is what disappears when you’re not looking at it.”
—Keith Chadwick
The ancestors of Tom’s who come to the forefront in episode three of HBO’s Family Tree are Tom’s grandparents, William and Victoria Chadwick, and William’s sister, Victoria, the great-aunt who gave Tom the trunk of family heirlooms that began his his genealogical journey. Tom doesn’t seem to know much about any of them at the outset, though he spent time with them all in life.
After paying his respects at their graves, Tom returns to his mysterious trunk and coincidentally pulls out a vest tank top and a newspaper clipping related to his grandfather’s appearance in the 1948 London Olympics. Visits to the local antiques shop and his grandfather’s boxing gym fill in the details of the ’48 Games in London — the “Austerity Games” — held when the UK was still rebuilding after the war. Though the games were not austere as the running gags throughout the episode suggested, the athletes’ food was rationed (they received double what the typical Brit was entitled to) and no new venues or athlete housing was built (as the city was still rebuilding and many residents still homeless).* Naturally, Tom’s grandfather was knocked out in his first match, but he provides Tom’s first encounter with the real history his ancestors lived through.
“Vintage footage” from the ’48 Olympics of the egg-and-spoon race
The episode’s first big revelation that William and Victoria had a ne’er do well brother, Brian, emerges when Tom visits the woman to whom Victoria left her flat, apparently the lesbian life partner no one in the family knew about. A bittersweet exchange captures Tom’s sense of obligation to keep on with what he calls “The Search.”
Mildred: Just before she died, Vic said that she hoped you might be the one to carry it on.
Tom: Carry on what?
Mildred: I don’t know.
Tom: (Nods.) I will.
The major surprise (won’t call it a cliffhanger since you have to have built dramatic tension to have one, and this show has little) is that Tom found the birth certificate of his great-great-grandfather, Charles Chadwick, who was born in… Maryland! “I’m a Yank?!” Tom’s father protests. Roll credits.
Austerity Games: Potato sack race
Fortunately this episode did not include yet another horrific blind date. Instead, Tom bonds with the daughter of the antiques shop proprietor, who recently called off her engagement. The cringe-inducing scene — seemingly obligatory in this series — was Tom’s sister’s first ventriloquist performance, about which the less said the better (I seem to write that a lot in these recaps).
Austerity Games: Tug of war
As the series proceeds, Tom’s actual research is increasingly pushed to the background. Whatever effort went into finding his grandparents’ graves, or more interestingly, locating his great-great-grandfather’s birth certificate (or even determining who his gggf was) or finding Victoria’s will online (?!), all happened off-screen, putting the focus of the episode on Tom’s uniformly bizarre encounters with the living people who can advance his story beyond the records and heirlooms he finds on his own. Typically the allocation of time in real genealogical research is the reverse, though bungled wildcard searches may not be appropriate sitcom fodder. Perhaps if we were all comfortably unemployed like Tom, we could make heritage trips and track down distant relatives to our hearts’ content!
Whatever his approach, it seems finally to have gotten at least one of his family members to take “The Search” more seriously. After her failed gig, his sister reflected on the wedding guests who were her audience:
They were happy as a family, it seemed. It just felt like to be in a room with such a big family, it sort of felt that maybe Tom was into the right track looking into family. Maybe we’ll feel some sort of connection, I don’t know, it just sort of struck me.
—Bea Chadwick
* What actually happened, not mentioned in the episode, is that shortly before Germany invaded Poland, London was chosen to host the 1944 Games. Shortly after the war ended, the UK decided to keep London in consideration to host in ’48 as a national morale-booster. Unsurprisingly, the 1940 Games also did not happen. They would have taken place in… Tokyo. Germany and Japan were not invited to the 1948 Games, though Italy was since they switched sides in ’43. The USSR was invited as well, but did not send any athletes, which Stalin later regretted once he realized the propaganda opportunity he had missed.
After a lifetime of hard work as innkeepers, a couple prepares to retire to Florida. But life has different plans in store for them.
This was the family story that came up more than any other in Kathleen Tesluk‘s family, and as a genealogically-minded child, she was always attuned to such family lore. When she was eleven, she conducted her first interview with her grandfather, as a high school student she started making research trips to county courthouses, and she’s been at it ever since. She’s a board member of the New York Genealogical & Biographical Society and blogs about family stories and genealogy research tools at Voices from a Distant Past.
Katheleen’s been on Treelines since shortly after our launch at RootsTech. She wrote us, “I am particularly intrigued because you are showing us something new: how to take the ‘dry’ documents that we are researching and reveal the vibrant, living people they represent.” From our conversations, it seems like Kathleen was doing that all along — Treelines just gave her a platform to share the results.
You’ve been working on your family history for many years. What about this story of the twins led you to make it the first story you shared on Treelines?
My grandmother was one of the twins, so I grew up hearing this story over and over again — it was such a part of their sense of identity. Telling this story on Treelines was a no-brainer, because the facts are so engrained in my memory of my grandmother and her sister.
Everyone who reads the story is struck by the part where you write that Jessie Lee prepared for death when she learned she was pregnant at 45 in 1919. It’s just one of those period details that captures the dramatic differences between our ancestors’ lives and our own. Any advice for other family historians looking to find those small bits of historical context for their own families?
The best advice I could give would be to scrutinize every detail of your stories — sometimes the punchline is hidden in plain sight. A family anecdote explains what I mean: Jessie Lee came from a long line of southerners. During the Civil War, successive Yankee raiding parties came through their farm and helped themselves to food and provisions until the family had nothing left but the honey in their beehives. A group of soldiers wanted to take that, too, but the only vessels they could find to take it in were the “honey pots”……. and my family has been laughing at them ever since. I told this story to a friend recently, and got a puzzled look in return. Then I realized that most people don’t know that “honey pot” was a euphemism for “chamber pot.” So, don’t take any story at face value; try to dig a little deeper to see if you can flesh out the details. Google is a godsend for discovering obscure facts!
Why did you want to share a story about your family publicly on the Treelines site?
I am driven by the idea that the more we know about our history, the easier it is for us to put our own lives in perspective. Stories help us see that our ancestors have experienced life’s trials and tribulations and ultimately survived — so we will, too. There was a wonderful article in the New York Times not too long ago describing how families that know their history are more resilient and psychologically healthy than those that do not. I think that sharing stories publicly can be reassuring because it provides more evidence of our common humanity.
With all of your experience doing traditional genealogy, what is it about stories that you find so compelling?
Stories add color to an otherwise black and white view of the past and adds a human dimension to the dry facts we uncover in our research. I will always be a traditional genealogist because things like factual accuracy, citations, and source analysis all matter to me. The truth is that stories are the means by which the past lives on to touch and inspire the next generation. Through stories, family members who are not genealogists suddenly understand why we are so obsessed with history.
Like all good stories, the end of your Treelines stories left me wanting to know what happened next??? How did Jessie Lee & Abel cope with becoming parents again at 45 and 60?
My grandmother, Kathleen Lynch, wrote: “With two babies to raise, Mother and Daddy decided that they couldn’t afford to get old and die any time soon! They bought the Arcade Hotel in Springfield, Ohio, and we began a life of hotel living….” Sometime before 1930, Abel and Jessie Lee left the hotel business, moved to Washington DC, and bought a farm in the country. Their son, Julius, was employed in DC by the US Government, and I suspect they moved in order to be near him. It wasn’t exactly oranges and grapefruit, but Abel worked the farm until his death in 1940. In 1944, Julius died of a heart attack at age 50, so Jessie Lee always called the twins her “blessings” because if they hadn’t come along, she would have had to live the last 20 years of her life alone.
Another great-grandfather of Kathleen’s was a real black sheep! Read about him in her Treelines story, A crafty fellow.
A long-lost grandfather who sends letters on aluminum foil and drives a psychedelic-painted school bus. A tenacious granddaughter who feels responsible for healing the rifts in her family going all the way back to the Old Country.
A 14-year old’s quest to find her grandfatherIt would be stranger than fiction if it weren’t the true story of how genealogist Marla Raucher Osborn got started at age fourteen! This former California lawyer now makes her home in Paris and travels frequently to Galicia to visit her family’s ancestral town of Rohatyn and research in local archives. She writes and speaks extensively both in the U.S. and Europe about her work, especially to Polish and Ukrainian school children.
Treelines gave Marla a place to preserve the more personal aspects of her family history than her usual publications afford. She wrote us, “Like sitting down with an old friend and talking – that is Treelines.” She took a break from her busy schedule to share a bit more about herself with us:
You are the author of the most popular story on Treelines so far! How you found your estranged grandfather made strangers cry. What do you think it was about your story that people connected to?
There is a very basic and powerful human desire to be remembered; to project into the future: “I lived,” “I was here.” This, I believe, is the role of memory and therefore of story-telling. Through divorce and economic circumstances, a child was separated from his father; so successfully separated, that not a single photo remained for that child to cherish and pass on to his children. I inherited that void – that empty space – in the family memory. To be able to tell this story is to acknowledge that my grandfather lived and that he is remembered.
As the story of finding your grandfather concluded, it seemed by your arrival in Poland that you had caught the genealogy bug big-time. Why does it matter so much to you to trace your family back and uncover the stories of their lives?
Like many Americans, I am a grandchild of immigrants. For many of us, there is a sense of having been cut off from from our roots. This is particularly powerful for Jewish Americans, but also for immigrant families who then re-settled in California: the move west was like a second emigration and a second window closing on the past. In trying to understand the historic circumstances and the underlying motivations for my grandparents’ moves (from Old World to New World to West Coast World) I learn more about my parents – and about myself. There is an emotional anchoring that comes from this knowledge, and for me, a contentedness that comes from finally becoming “connected.”
What was the experience like for you to share a story about your family publicly on the Treelines site?
While this was not my first “public” publication, I found writing this story quite different, because it was less record-focused and not specifically directed toward genealogists and researchers. For Treelines, I wanted to recount the path that led me to my grandfather as if it was an intimate conversation between close friends. So, I sought the right “voice” for the narrative and strove to humanize the research side so that the tale that unfolded wasn’t just a lineal recitation of facts through letter writing, archives, and the internet. It was important that the reader “ride” with me, first as a 14-year old child, then as a mature woman winding through the Przemysl Jewish cemetery. The story’s drama, I hope, comes from the unpredictability of its ending – me, thirty years after finding my grandfather, in the Polish town where his family once lived.
As one of our first writers, you clearly had a strong sense of what story you wanted to tell. What advice would you give to new users of Treelines who are deciding what stories they want to tell?
Find the kernel – the central, moving, inspiration, emotional core – of your story, and focus on that when you write it. Every family tale has a kernel. It may take some massaging to tease it out, but it is there for you to find and develop. It is the kernel that touches the human heart and turns a personal, individual story into a human story.
“Genealogy is like any other -ology. Best left to the scientists.”
— Keith Chadwick
The second episode of HBO’s Family Tree, which aired last night, picks right up with Tom showing his father the strange photograph of Harry Chadwick. (Catch up on the first episode here.) Great-grandfather is compared to a photograph of his son and to his living grandson and great-grandson — and not a drop of “Chinese-ity,” as Tom’s father calls it, to be detected in any. Eventually the inscription on the back of the photograph is deciphered as “To the best Nanki-Poo in Hove,” which confirms that unsurprisingly, Harry was not Chinese, but an actor who once played a Japanese role. (Anyone who looked at Harry’s photograph could see that clearly, right?)
Off to Hove Tom goes, accompanied yet again by his faithful, but idiotic friend Pete. An elderly former neighbor of Harry’s directs them to the local theater, where it is revealed to Tom by degrees that the fame his great-grandfather achieved on the stage was actually for playing… the tail end of a pantomime horse. Lucky Tom is shown an old photograph and video footage (!) of his great-grandfather performing. He leaves with his great-grandfather’s costume and a new bit of information: Harry’s wife had an affair with Sid, the fellow who played the front-end of the horse. The affair broke up the partnership, and after Harry died, his wife and former partner married and left town together. The news hits Tom hard, as he also feels cuckolded by his former girlfriend.
Like so many of us, Tom wishes to pay homage to his great-grandfather. He & Pete enter the annual costume horse derby, which Harry & Sid often won. Needless to say, they do not continue the family tradition. But it’s sweet that Tom cared so much.
After a creepy blind date (about which the less said the better), the episode concludes with a poignant scene in a cemetery — Tom reflecting on the sad end to Harry’s life — while the camera lingers on the backend of a horse engraved on Harry’s tombstone. This was the part of the episode where I started yelling at the screen — this time for Tom to look at the names on the surrounding tombstones. He notes only two, Harry’s parents, and wonders why their birth dates are not indicated on their tombstones. Perhaps this mystery will occupy Tom next.
***
Family Tree’s fake genealogy site, TraceMyPast.net, showing Harry Chadwick’s death certificate
I’m beginning to see how this show operates. The nature of genealogical research brings Tom into contact with new weirdos in new comedic settings every episode, perfect for Christopher Guest’s style of short vignettes with a wide range of actors. Unfortunately like many viewers I’m just not finding it all that funny so far.
It’s also a little predictable, and I don’t think that’s just because I do genealogy and recognize all the old canards. But I’ll keep watching. The moments were Tom feels truly struck by the emotion of walking in Harry’s footsteps certainly feel genuine, unlike the absurd situations he keep walking into. Though it can’t help that Tom is, well, such a loser, whose own family thinks his hobby is just a passing phase to fill the void in his life, these moments, plus the general fun and easy (too easy!) satisfaction of Tom’s genealogical journey, certainly present our obsession well to a new audience.
Demo’ing Treelines to Jen Baldwin & Terri O’Connell of The In-Depth Genealogist
Here are some of the highlights of what NGS bloggers wrote about us:
“Treelines provides a way to present the stories one collects during one’s research and present it for family (read: non-genealogist) consumption in a graphically, consumer-friendly and pleasing manner. ” — Emily Garber, (going) The Extra Yad
“Can I just say that I just adore [Treelines’] developer Tammy Hepps. Not only is she darling, but she is smart! She is a programmer AND a genealogist and she gets the importance of story! Seriously, check out Treelines.com – you will fall in love too!” — Valerie Elkins, Family Cherished
Our next appearance will be in LA at Jamboree, June 7-9. We’ll in Booth #127. Tammy will demo Treelines on June 8 at 10:45 AM and teach about The Treelines Way on June 9 at 2:30
At NGS last week Dick Eastman and I had a discussion — was HBO’s Family Tree actually about genealogy? He pointed out that the trailer follows the main character as he tracks down living relatives… which wasn’t quite what I was hoping the show would be about. Well, who knows how the series will play out, but the first episode will feel awfully familiar to family historians.
Our budding genealogist is Tom Chadwick, recently bereft of girlfriend, job, and now great-aunt. The latter’s passing puts him in possession of an old chest, inside of which he finds a photograph of a man in turn of the century military garb. All his father can tell him is that he is Tom’s great-grandfather, who was some sort of military hero. Eventually Tom finds his way to a fictional Maureen Taylor, who in true genealogical fashion clears up the mystery of the photograph, but leads Tom into an even bigger one.
Tom: He’s a Chinese man? Neville: Yes, hence his name. Harry Chadwick.
<spoiler>
The field marshall in the photograph is not Tom’s ancestor… but Prince George, the Duke of Cambridge! Typical mistake! It turns out that Tom’s great-grandfather took the photograph, and a picture of this great-grandfather shows him to be… Chinese?!
</spoiler>
There’s much in the pilot episode that rings true for genealogy buffs, from the old photograph you can’t stop wondering about, to the desire to see in yourself the best characteristics your ancestors embodied. Alas, the genealogy on the show is presented in true WDYTYA style, where key records just happen to be at the fingertips of the researcher, and breakthroughs happen in seconds, but it is recognizably genealogical research. (As an aside: Was anyone else yelling at Tom to take the photograph out of the frame to read the back?)
However, there’s much that does not ring true at all. For one, Tom’s best friend accompanies him on a long train ride to visit the photographic expert, but when have you ever convinced a non-genealogically-inclined friend to accompany you on any genealogical excursions?! Furthermore, Tom’s blind date seems to take great interest in Tom’s genealogical quest, but I can tell you from extensive personal experience that this is not what happens in real life.
Overall the show seems promising, if you don’t mind dry British comedy or the extreme eccentricities of Christopher Guest-created characters. I can’t yet say I’m invested in Tom or his living family, but the mystery of Harry Chadwick I’m curious to see unfold. And if nothing else, I wouldn’t mind catching another glimpse of the show-within-a-show of The Plantagenets!
Hard to believe it’s been only a month since our big launch at RootsTech! Last time we wrote, we had just arrived in Chicago to present Treelines at the national conference of the Association of Professional Photo Organizers. It was such fun introducing Treelines to this wonderful group, who help other families organize and preserve their own history.
Since returning from APPO we’ve made lots of tweaks to the Treelines storybuilder to make it even easier and more fun to use. We wanted to draw your attention to one of the bigger ones: contextual help overlays!
When you use the storybuilder for the first time, overlays like the one above will appears as you encounter different areas of the storybuilder for the first time. We hope this will make it easier for new users to get the hang of things. To be unobtrusive, each overlay only appears the first time you encounter something new, but everywhere you see a purple box with a question mark like the one at the left, you can bring back the help tips.
Of course, we have a whole help center at your disposal, with tutorials and FAQs, but we think this way is so much easier and faster when you’re already immersed in writing.
Greetings from Chicago! “My kind of town, Chicago is / My kind of razzmatazz / And it has all that jazz” (sang Frank Sinatra). We’re here for the national conference of the Association of Professional Photo Organizers, which starts this evening. The APPO folks we’ve met so far are amazing, dedicated, high-energy people, and we can’t wait to show everyone here how Treelines can help their clients tie together their family photographs with the stories that truly bring them to life.
As one of our new users wrote to us earlier this week:
“The strength of Treelines is that I can share family history, legend, or stories with relatives in a meaningful way without bogging them down in too many names, dates, and places. This brings life to stories, and piques the interest of family members who may not otherwise be interested.”
Clearly Treelines, like Chicago itself, already has all that jazz :-), but we’ve added even more razzmatazz this week. Many of you asked for additional ways to navigate through stories to jump forwards or backwards more easily. Now if you use the small arrow next to the page numbers, you can bring up a list of all the pages in the story to skip to a different part of the story:
Screenshot of the alternate navigation (click to view full-size).
Enjoy!
And if you haven’t signed up for our waiting list yet, what are you waiting for? We’re letting in new users every day, so claim your place in line!